{"version":"1.0","provider_name":"MCI","provider_url":"https:\/\/research.gsd.harvard.edu\/mci","author_name":"Main Admin","author_url":"https:\/\/research.gsd.harvard.edu\/mci\/author\/infonavit\/","title":"Museum of the Future - MCI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rFTIw5WR2E\"><a href=\"https:\/\/research.gsd.harvard.edu\/mci\/portfolio\/museum-of-the-future\/\">Museum of the Future<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/research.gsd.harvard.edu\/mci\/portfolio\/museum-of-the-future\/embed\/#?secret=rFTIw5WR2E\" width=\"600\" height=\"338\" title=\"&#8220;Museum of the Future&#8221; &#8212; MCI\" data-secret=\"rFTIw5WR2E\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/research.gsd.harvard.edu\/mci\/files\/2015\/02\/03centro.jpg","thumbnail_width":2000,"thumbnail_height":1545,"description":"\u00a0 By sparking the notion of time travel to the year 2068, Museo del Futuro\u00a0(MDF) developed a framework for engaging with public imagination. Its goal was to\u00a0propose possible futures of Mexico City, highlighting the visions of often-excluded\u00a0populations who live on the city\u2019s periphery. Further, the project explored a new\u00a0institutional typology that fosters such collective, constructive visioning among the city\u2019s\u00a0residents: a mobile, decentralized museum that generates artifacts in collaboration with\u00a0the public. MDF began with street performances by amnesiac time-traveling curators, including\u00a0Kate Balug (MUP \u201911) and Laura Janka (MAUD \u201911). En route from 2068 to 1968 to\u00a0prepare an exhibition on the centennial [&hellip;]"}